|The Wedding a short story by Omani writer Jokha AlharthiOn this night, on this chair made especially for her, Saloma shines. Her eyes are sultrily loose, either spontaneously or deliberately, and fixed on the bride. Her bejewelled ikfa2 hairstyle shows the size of her braids under the embroidered veil. Her gold nose-stud, shaped like a flower, is an inseparable part of her nose. And her confidence . . . Aah, her confidence. There is no doubt that her nine chickens are asleep now|
|Sami Zubaida Tribute to Faleh Abdul JabarIn addition to his voluminous work on Iraq and the Middle East, Faleh published many valuable contributions to social and political theory, mostly on the Hegelian and Marxist currents. These themes were central to two books he published, in Arabic, just before his untimely death. Al-Istirab/Alienation: Hobbes, Locke, Rousseau and Hegel|
|Alaa al-Deeb : Excerpts from his novel Lemon BlossomWhen he had come to Suez four years earlier to work in the cultural centre, he had had a vague dream that he would find himself in this isolation and that he would sort out the chaos into which his life had descended. He hadn’t dreamed of any major change or great deeds, but he had said that cutting off his ties to Cairo would help him see things differently and that he would at least be able to adapt to the new reality and, most importantly, he would be able to put in order his relationship with the past.|
|Ahmed Saadawi :He is Dreaming or Playing or DyingComrade Dakhil and his friends in their olive-coloured uniforms descended on us from our roof, coming over the neighbouring roofs. They wandered about the house and went into all the rooms. As evidence, they presented comrade Dakhil with the rosaries they found and small prayer-disks of sacred earth used in prostration, and then they entered the kitchen|
|Habib Abdulrab Sarori : The Discarded ComputerBecause of the extraordinary state of emergency declared in America and Europe immediately after the terrorist incidents, I head directly from the coffeehouse to my Paris home. I am welcomed rather anxiously by my beloved house robot, Bahlul. His artificial intelligence programs system, which is linked to the internet, learned that danger threatens the entire inhabited world. The moment I arrive his eye’s cameras direct their electronic sensors|
|Nine poems by Saudi poet Ahmed al-MullaIn the kitchen thirst fell down.
His dreams trembled.
The window was torn open, stabbed by lightning scattering in the hallways.
His hands settled down and his soul reclined but there was nothing to lean on. They dived into clouds, drowning caught them and salt followed suit.
Water flowed, sobbing until the walls were dry. The pictures flaked off the walls and glass leapt out of the wooden frames.
The estrangement of his bed subdued, it makes him a nightcap.
|Khaled Khalifa: The Refugee - Living in a VoidMy sister, whom I haven’t seen for more than two years, told me she was going to cross the sea in a rubber dinghy. She hung up and didn’t want to hear what I thought. She just said something profound and sentimental and entrusted her three children to my care in the event that she drowns. A few minutes later I tried to call the unfamiliar Turkish number but the phone had been turned off|
|Stefan Weidner: Ein Marschländer geht von unsDie weitaus meisten Autoren, welche Sprachwechsler sind, nicht in ihrer Muttersprache schreiben und mehrere Herkünfte und Identitäten für sich reklamieren, entscheiden sich am Ende für eine der beiden Seiten. Dass Hussain al-Mozany sich nicht entscheiden konnte oder wollte, dürfte zwar dazu beigetragen haben, dass ihm größerer Ruhm versagt blieb. Es macht ihn auch unter den Autoren, die den Chamisso-Preis bekamen, zu einem Sonderfall|
|One Sky A short story by Palestinian writer Liana BadrI named him Robin, based on the assurances of our bird-loving neighbour. When I expressed my doubt about the name due to the incomplete red ruff on his neck feathers, he told me: “This is a young bird. The full red has not yet appeared on his feathers.”|
|A BOAT TO LESBOS A poem by Syrian poet Nouri al-JarrahSuffering Syrians, beautiful Syrians, Syrian brothers fleeing death. You won’t reach the shores on rafts but will be born on beaches with the foam.
Lost gold dust you are, melted gold dust, scattered, dulled.
From abyss to abyss in the hollow of the sea of the Rum, with the star fish and her brother, the roving squid, the waves convey you under the light of Ursa Major, the Daughters of Na’sh.
|Eleven Poems by Syrian poet Hussein Bin HamzaBEFORE I SLEEP
Although I/ no longer care about anything,/ and squander most of my time out of the house –/ for days / I haven’t changed the water of the flowers,/ and the books/ and cups/ and cigarette ends/ are content with a layer of dust – yet,/ I find time/ to feed the wolves of your absence/ before I sleep.
|Adonis: Banipal is a unique cultural projectBanipal has been realizing a unique and twofold project within the sphere of cultural productions of the Arab world. For, on the one hand, it provides a space in which Arabic literary texts are set in motion, in a direct dialogue with literary texts in the English language, in terms of both content and form. And, on the other hand, it offers an historic opportunity that allows for the language of the self to be reflected in the language of the Other, through a continuous, diverse and profuse flux.|
|Hussain al-Mozany: Mother, Mother Tongue, and FatherlandIf I think back to my childhood and boyhood, I do not remember anything which demonstrated that my mother was primarily responsible for teaching me the principles of the Arabic language. Over time I have realised that we did not speak much in our house because silence and gesture were the prevalent languages then. My memory offers me only scattered fragments of the tales my grandmother offered ingeniously once she discovered her voice after her husband|
|The Day the Olive Harvest was stopped by Mohammad KhashanWe harvested half or, sometimes most of the olives, but did not grind them. They remained in a heap on the platform in front of the house. That was in October 1948 and [political] conditions were becoming worse; yet people continued to act as though nothing had happened|